To Who’s Benefit?

“We’d get these requests literally twenty-four hours a day. When Crosby, Stills, Nash & Young were touring America in 1974, I used to get notes slipped under my hotel room door in the middle of the night, sometimes at three or four in the morning. The notes were interchangeable, and they always went something like: ‘Dear Mr. Crosby, please forgive me for writing you this note but you are the only person who can help us. We need to raise a million dollars by next week to (feed the world, house the homeless, clothe the whales). Will you do a concert for us? And will you ask all your friends to do it with you? It’s only one night and it will make a huge difference to (the world, the homeless, the whales). Thanks in advance for saying yes’.”

So shares music legend David Crosby in his book Stand and Be Counted.

Not to be too terribly cynical, but who really benefits from benefit concerts? Are they more for publicity than the cause? Is the money raised actually going to get to the intended organization? Will it even make a difference if it does?

Or have incalculable strides been made out of public view, following such events? We mostly try to keep the reality of such causes out of our public view anyway, so how would we really notice if they were any different? And I’m talking about all of the causes: AIDS, nuclear weapons, global poverty, the environment, orphans, homeless, abused women, military veterans/families, world peace, etc.

Some of the most famous benefits through the years, followed by the cause and year: Monterey Pop Festival (MIPF Foundation, 1967), The Concert for Bangladesh (relief of refugees from East Pakistan, 1971), The No Nukes Concert (against the use of nuclear energy, 1979), The Secret Policeman’s Balls (Amnesty International, multiple dates), Farm Aid (family farmers in America, first in 1985), Live Aid (famine relief in Ethiopia, 1985), Live 8 (eradicate poverty in third-world countries, 2005). There are many, many more.

Following the 1971 Concert for Bangladesh (from the book Stand and Be Counted), legendary sitarist Ravi Shankar shared his thoughts about the assumed large amount of money raised, 

“…When you think of the amount being spent on almost eight million refugees, and so many of them children, of course it is like a drop in the ocean. Maybe it will take care of them for only two or three days. But that is not the point. The main issue – beyond the sum of money we can raise – is that we feel that all the young people who came to the concerts…they were made aware of something very few of them felt or knew clearly – about Bangla Desh and what has happened to cause such distress. It is like trying to ignite, trying to pass on the responsibilities as much as possible to everyone else. I think this aim has been achieved.”

That’s the positive and hopefully-realized impact.

The reality is this (also from Stand and Be Counted):

“…the Internal Revenue Service ruled that since the concerts had not been produced by a nonprofit entity, all proceeds were to be viewed as taxable under the law…The result was that it took an unbelievable eleven years for most of the money to reach UNICEF…A UNICEF study estimates that during those eleven years, more than eight million children of Bangladesh died of malnutrition and disease.”

I’m all for helping out, but unfortunately most problems are a few light years beyond the funds (potentially) raised by a group of “famous” musicians and/or celebrities. 

That doesn’t mean we shouldn’t try.

Freddie Mercury’s goodbye

Death is imminent for all, but it seems to have this ridiculous impact on famous (or about to be famous) musicians. The impact of death on a musician is a topic that will be explored here, and often.

Freddie Mercury passed away November 24, 1991. He was 45. Freddie had AIDS, a disease caused by HIV. His death was ultimately the result of bronchopneumonia, which was brought on by AIDS. Freddie Mercury sang in a band called Queen. He lived a relatively-private existence the last few years of his life.

I’ll never forget the day at school when all of my friends were talking about something bad that had happened to Magic Johnson. I was in fifth grade and had no idea what any of this meant. It was something brand new to our young worlds, and apparently to a lot of other people. Johnson announced on November 7, 1991 that he had HIV.

November of 1991 changed a whole lot of things.

Queen was inducted into the Rock and Roll Hall of Fame in 2001. The band has multiple songs in the Grammy Hall of Fame, and according to the RIAA’s website, Queen has sold 32.5 million albums (U.S. only). Worldwide estimates top the 300 million album mark.

The movie “Wayne’s World” introduced a whole new generation to the music of Queen in 1992, with its inclusion of the song, “Bohemian Rhapsody,” a song written by Mercury and originally included on the band’s 1975 album release, A Night at the Opera.

The way Freddie said goodbye is a point not to be missed.

On Saturday, November 23, 1991, Mercury made the following official announcement to the press:

“Following the enormous conjecture in the press over the last two weeks, I wish to confirm that I have been tested HIV positive and have AIDS. I felt it correct to keep this information private to date to protect the privacy of those around me. However, the time has come now for my friends and fans around the world to know the truth and I hope that everyone will join with my doctors and all those worldwide in the fight against this terrible disease. My privacy has always been very special to me and I am famous for my lack of interviews. Please understand this policy will continue.”

Just over a day later, Freddie was gone.

A few months later, on April 20, 1992, some of Freddie’s friends got together and played a show in his honor. The remaining members of Queen, Elton John, Roger Daltrey, Robert Plant, David Bowie, Annie Lennox, George Michael, and many others, played the Freddie Mercury Tribute Concert at London’s Wembley Stadium. All proceeds went to AIDS research.

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